A few days in Paris, Writing . . . Years agoNever forgotten
Instructions for living a life. Pay attention. Be astonished. Tell about it.” ―Mary Oliver
Moving a life forward is an investment in dreams, time, learning, relationship building, and so much more. Moving a writinglife forward is all of that, and I would add it is also, at its best, a life transformed. As Anne Frank so eloquently put it: “I can shake off everything as I write; my sorrows disappear, my courage is reborn.” Writing did not save Anne Frank’s life, but I believe her writing has saved the lives of countless others.
Writers may feel called to the creative life, but that one precious life often must take a back seat to another, more practical life, one that includes a sensible career (aka something with a steady paycheck), perhaps with snatches of scribbling in between the job, chores, and attending to family or societal needs and expectations. The writing life can be a kind of shadow life. It has been for me. Some writers seldom or never mention their craft while engaged in their more acceptable “real” life.
“I love writing. I love the swirl and swing of words as they tangle with human emotions.” —James Michener
It’s hard to explain to nonwriters why a few hours or a whole day spent attending a sporting event or a picnic can create in the writer a kind of panic—a feeling that the time needed to be alone, to read and to write, will never be enough, that time is seeping away, draining their spirit. Spending “free time” in non-creative areas can feel terribly wasted to the writer, while to others, the writer’s avoidance of joining in reeks of selfishness, or delusion. Or perhaps it’s just incomprehensible. Why, people wonder, is writing so important to you? There’s no money in it. And if there is, it’s only available to a few spectacularly talented gifted authors. If you had that gift, surely you’d have been published by now.
The writing life can be an ill-defined series of swells of poetic energy or flow, which is heady and soul lifting. There is nothing quite like those times. Catherine Drinker Bowen says, “For your born writer, nothing is so healing as the realization that he has come upon the right word.” And I have felt that many times. Writing has healed me.
But those transcendent hours or days are for writers seeking an agent or publisher likely to alternate with rejection after rejection after rejection. Writers do much of their writing alone, but if they seek representation and traditional publishing, they must eventually learn the oft times punishing lessons of business.
Soon I’ll be working with a developmental content editor on my completed World War II historical fiction manuscript. I’m excited to be taking this major step forward. It’s been a long journey, and honestly, I’ve loved the myriad lessons and experiences along the way, even the hard ones.
“If a story is in you, it has to come out.” —William Faulkner
American Writers Museum, Chicago, Illinois
Thank you for visiting! Wishing you a wonderful day, doing exactly what you need and want to do.
Something I don’t write about much is my writing background. And of course there’s a reason for that. I have spent a significant amount of time, effort, and money over a period of many years on writing, and though I don’t consider any of that effort to be wasted, I do think sometimes, sometimes when the shadows fall a little too dark, a little too thick, that I should have done more with it, this writing thing, by now. That it should have gone somewhere. Perhaps I’m even a bit embarrassed to admit that with a BA in English and an MFA in creative writing, and years of study and teaching under my belt, I still haven’t published a novel.
Have I written a novel? Oh, yes. I wrote my first novel three decades ago. I was teaching English and became active in the National Writing Project, a fantastic program for teachers that encourages us to become writers, ourselves. I wrote a contemporary novel during that time but never attempted to have it published. It was my learning novel, the one that I would never throw away, but also, the one that wouldn’t be good enough to publish. Don’t ask me exactly how I came to this conclusion. I think I read an awful lot of books and articles about writing, and this was my take on first novels. They were like the first pancake, or the first kiss. You just had to do it and get it out of the way. The payoff would be better pancakes and better kisses later. Fluffier, more evenly browned, delicious. Or maybe my own writing just embarrassed me so much that I couldn’t even think of approaching anyone with it. So, I printed it out and boxed it away.
The itch to learn more and to focus more on writing took me to Goddard College next. I continued teaching and worked on my master’s from 2007-2009. During this exciting period, I wrote constantly, including many formal papers for my instructors and my thesis, which was a young adult historical fiction novel about a Catholic Polish teen and his Jewish neighbors during World War II. This one, I thought, I would try to get published. I just didn’t hurry it.
I attended Goddard West in Port Townsend, WA. I have never been to the original campus in Vermont, which has sadly, closed, but I still hope to visit there someday.
After the MFA, I focused on researching agents and publishers and writing queries. Admittedly, I didn’t try very hard. It was excruciating for me to put myself out there—my writing out there—which to me, amounted to putting my inexperience and inadequacy on full display, a neon sign of not-good-enough, flashy and annoying, just begging someone far more hard-working and talented than myself to squash it.
Time went by and I wrote with friends for fun, and to learn more. Shout out to you, Alicia, Lynn, Mike, Maria Elena, and of course all of my amazing students! I thought maybe I needed to put more time between me and my second novel. I started blogging. I was still teaching.
But then I found myself seriously ill with a rare form of cancer, and the world stopped spinning. I lost track of days, weeks. My brother was also ill and had come to live with us. My surgeries were successful. But I felt unwell. Months of chemo took a toll. And my brother. My beautiful brother, my only sibling, died.
I read that the average life span for appendiceal cancer was seven years, and yes, I also read that was not to be taken to mean that I would die in seven years—there were so many factors involved, and it was just an average. Many people died sooner. Others lived for twenty years or more. Blah, blah, blah, I thought. I have seven years.
With my husband’s blessing, I cashed in a small savings account and took a short trip to London and Paris (my one and only trip outside the U.S.), and it was wonderful, and I knew I wanted to write. My writing vision could not have been more clear. I came home and worked on a new novel.
East Finchley, Outside London.
A Beautiful Place to Write.
I taught for a couple more years. Other than my family, my teaching career was what I was most proud of and committed to. Still, I felt my energy shifting. I expected an early death. I imagined myself too weak to be the kind of teacher I had always aspired to be, which was the Robin Williams as John Keating kind of teacher from Dead Poet’s Society. That was who I should be, but instead, I felt—I believed, I was tired, in failing health, more Virginia Poe dying slowly of tuberculous while Edgar became ever more prolific than John Keating taking on the entire world of poetry and elevating young minds and spirits. I saw myself settling into an early writing retirement where my husband would continue to work, but I would just be . . . . the quiet writer in residence.
Robin William as the victorious Mr. Keating
The sadly beautiful Mrs. E. A. Poe
And so, I finished my third book. It is not published.
I found I missed gainful employment and have steadily worked part-time since my early retirement, teaching and library work mostly. I am fighting my hermit-like tendencies, and I’m enjoying getting more involved in actively reading and responding to my fellow writers online, as well as the few writers I know personally. This is a joy and a responsibility. I believe we must support each other, and I am so in awe of all of you! I just finished reading a fellow Goddard graduate’s Sci-Fi thriller, The Regolith Temple, yesterday, and was blown away! Roxana Arama, I will be writing a review for your excellent book very soon!
I am still waiting to hear back from an agent who requested my full manuscript many months ago. I’m considering next steps.
I’m not dead. I stopped going in for cancer scans several years ago. I can’t afford them, and anyway, I’m quite spectacularly healthy. Weirdly! So maybe the seven years thing was really just about itches and actually had nothing to do with my diagnosis. Whatever the reason, I’m grateful, and I’m still in love with this beautiful planet. And pancakes and kisses.
I’m walking every day and working on another novel.
I have thought a lot lately about the discomfort of being in a perpetual state of waiting for something to happen, of worrying about what the results will be when something finally does happen, and then, wondering if I will navigate any of it well. The word “limbo” is often in my thoughts.
2024 brought new health concerns for my husband, and with that a reconsideration of where we should live, since we are currently in a very remote location, three and a half hours by car from the nearest medical center with cardiac care. We responded decisively by putting our house on the market. That decisiveness did not break us out of Limbo, however, as we do not know when or if our home will sell, and we do not know what it will sell for if it does sell. We cannot make plans on where to move until we sell the house. Still, we’re thinking about returning to the Midwest where real estate prices are more reasonable than here in the West and where we can reasonably expect to afford to live in a town with a hospital. But, until we sell, we are in Limbo.
Also, in 2024, I was thrilled to receive an invitation from my dream literary agent to send her my full manuscript, A Fine Suddenness, a World War II historical fiction novel based in Lake Arrowhead, CA. I’ve no idea if she has read it yet. It has been out of my hands for six months now, this after having worked on it pretty consistently for years. Many years. I miss it terribly (it’s an odd thing, really, the attachment I’ve made), and I have no interest in beginning a new novel yet, though at least I am continuing to write. Even so, journaling or posting online, as important and healthy as they are, do not give me the same sense of mission as novel writing does. I wait to hear from the agent, and I do not move forward on a sequel to the book I sent her, nor on some new unrelated novel, because I desperately want her opinion on A Fine Suddenness first. More Limbo.
And 2024, oh my goodness, has been a year of intense worry and anticipation for our nation and the world. We are no longer in the first stage of that particular limbo state, but we are certainly still in a place of transition and uncertainty. So many possible scenarios there, and so little I have control over. More Limbo.
Earliest historical references to Limbo describe a place in-between—not heaven, not hell—a place for deceased unbaptized humans born before the birth of Christ, or who died as infants before baptism, to reside until the second coming of Christ by the Roman Catholic Church, and these begin in the 14th Century. From there, the word limbo (more and more with a lower case “l”) entered usage in less theological contexts: as a place or state of restraint, confinement, neglect, oblivion, uncertainty, or an intermediate or transitional place or state.
Etymology also traces limbo from the English of Trinidad and Barbados limbo “a dance that involves bending backwards under a pole,” related to Jamaican English limba “to bend,” from English limber “flexible” (merriam-webster.com).
Which leads us to the dance, or funeral game, which dates back to the mid to late 1800s on the island of Tobago. In the beginning, the game started with the bar at the lowest possible height and the bar was gradually raised, signifying an emergence from death into life (Wikipedia.org). It is possible that the roots of this practice come from the slave experience of being transported across the seas in ships, where the slaves were separated and tried to squeeze through narrow spaces in order to see or touch one another. In some African beliefs, the game reflects the whole cycle of life . . . the players move under a pole that is gradually lowered from the chest level and they emerge on the other side as their heads clear the pole as in the triumph of life over death (Stanley-Niaah, Sonjah “Mapping of Black Atlantic Performance Geographies: From Slave Ship to Ghetto.” Quoted on Wikipedia.org).
The secularization of the dance began in the 1940s where “it became a popular entertainment in Trinidad and was adopted as a physical fitness exercise by American troops,” . . . and is now “considered the unofficial national game of Trinidad and Tobago” (Wikipedia.org). It has become a fun and happy pastime.
Historically, Limbo to limbo, has moved on. Broken free, so to speak. I wonder if my own limbo could progress that way, too. As for human history, perhaps also for me? If I am stuck in the place between heaven and hell right now, will it be possible for me to become limber enough to squeeze myself through the narrow places that block me from reaching the open, even joyful places that still may exist beyond my current ability to see them or experience them?
In order to do that, I would need to understand the constructs of the narrow places. What are they exactly? What are they made of? Are they hard and impervious, like granite? Splintered like rough wood? Flexible and sometimes deadly like serpents? Or are they only real because I make them real in my own paralyzed mind? Maybe I could wish them away, disintegrate them, with new knowledge or some kind of personal epiphany.
Perhaps there is a way. Perhaps not. But I must strive, at least, to remember Helen Keller’s words, these taken from her open letter in response to Nazi book burnings in Germany on May 9, 1933: “History has taught you nothing if you think you can kill ideas. Tyrants have tried to do that often before, and the ideas have risen up in their might and destroyed them. . .You can burn my books and the books of the best minds in Europe, but the ideas in them have seeped through a million channels and will continue to quicken other minds.”
If Helen Keller believed that ideas and hopes have always “seeped through a million channels,” who am I to deny it? Might not a few of those ideas and hopes, and more likely a multitude, have made their way to us now at the dawning of the year 2025? Might not they sustain us, quicken our minds, and help us find a way out of our narrow places and into the light?
Three Months ago, at the beginning of summer, I received an agent request for the full manuscript of my historical fiction novel, A Fine Suddenness. I am told that 3 months is about the time I might begin to expect to hear back from the agent, and so today I am checking my email even more regularly than usual, and I am thinking about the origins of the manuscript.
My Journal
It began in May of 2011 with the glimmer of a character suggested by a signature of ownership in an old red leather-bound book a friend gifted me: The Conqueror, by Gertrude Atherton. My friend Lynn is a librarian, a teacher of history, a seller of used books, and a maker of reclaimed book journals. You can check out her business at brownbagbooks.biz. This book was one of her rescued book journals. The cover was intact, rebound into a smallish wire bound blank journal.
The original inscription inside was simple: Mary Miller 1903. Who was this lady, I wondered? She must have loved her books, I thought, to have signed her name and the year of acquisition on the inside cover, a habit I also have. I usually add the place I acquired the book also, but Mary Miller did not do so. A quick search told me that Gertrude Atherton was a San Francisco author, and The Conqueror had been published in 1902, was about Alexander Hamilton, and was widely acclaimed.
I immediately began writing in Mary’s book-turned-journal, taking on an imagined persona of the unknown lady. It began: “May 8, 1903. Lake Arrowhead, California. I am proposing to tell you a story which I am quite sure you will doubt . . .” Rather quickly it took on the overtones of a ghost story, and I named Mary’s father, described his field of study and stated that her mother had died of influenza when she was a child. All of that came to me very spontaneously. Also, Mary’s husband was dead, but she had a vision of him. So, A Fine Suddenness began as a ghost story. And in some ways perhaps that is what it still is, but not in the way it began.
Eventually, the real Mary Miller, whoever that lady was, disappeared from my mind and became instead a woman who lived in Lake Arrowhead, California during the 1940s—70 years before I read her inscription rather than the actual 108 years. Once I placed Mary in a new time and most certainly a different place than the real Mary had lived, I began to conjure what life was like during World War II on the mountain we shared, not in time, but in place.
All of that pondering gradually grew into a scene of Mary in her yard among her roses, the trees towering in the background. And so, she became real to me, and I wrote her story. She is completely fictional, other than the sense I got from seeing her name, and from the beautiful red and gold embossed cover of a book.
She, I hope, would make her namesake, the real Mary Miller, proud.
Photo generated using AI (which I never expected to use…a story for another day)
Being vegetarian and eating greens and salads out is always a risk, it s hard to be 100% sure all you eat is absolutely safe, so take it twice a year to guarantee your body is free from unwanted organism
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This blog feature amusing and heartwarming stories about our late Leonberger dog Bronco, as well as other Leonbergers. It also has a lot of information about the Leonberger breed, the history, care, training, Leonberger organizations, etc. I also wrote a Leonberger book, which I am featuring in the sidebar.