Category Archives: HIstorical Fiction

This Writing Life

A few days in Paris, Writing . . . Years ago Never forgotten

Instructions for living a life.
Pay attention.
Be astonished.
Tell about it.”
―Mary Oliver

Moving a life forward is an investment in dreams, time, learning, relationship building, and so much more. Moving a writing life forward is all of that, and I would add it is also, at its best, a life transformed. As Anne Frank so eloquently put it: “I can shake off everything as I write; my sorrows disappear, my courage is reborn.” Writing did not save Anne Frank’s life, but I believe her writing has saved the lives of countless others.

Writers may feel called to the creative life, but that one precious life often must take a back seat to another, more practical life, one that includes a sensible career (aka something with a steady paycheck), perhaps with snatches of scribbling in between the job, chores, and attending to family or societal needs and expectations. The writing life can be a kind of shadow life. It has been for me. Some writers seldom or never mention their craft while engaged in their more acceptable “real” life.

“I love writing. I love the swirl and swing of words as they tangle with human emotions.”
—James Michener

It’s hard to explain to nonwriters why a few hours or a whole day spent attending a sporting event or a picnic can create in the writer a kind of panic—a feeling that the time needed to be alone, to read and to write, will never be enough, that time is seeping away, draining their spirit. Spending “free time” in non-creative areas can feel terribly wasted to the writer, while to others, the writer’s avoidance of joining in reeks of selfishness, or delusion. Or perhaps it’s just incomprehensible. Why, people wonder, is writing so important to you? There’s no money in it. And if there is, it’s only available to a few spectacularly talented gifted authors. If you had that gift, surely you’d have been published by now.

The writing life can be an ill-defined series of swells of poetic energy or flow, which is heady and soul lifting. There is nothing quite like those times. Catherine Drinker Bowen says, “For your born writer, nothing is so healing as the realization that he has come upon the right word.” And I have felt that many times. Writing has healed me.

But those transcendent hours or days are for writers seeking an agent or publisher likely to alternate with rejection after rejection after rejection. Writers do much of their writing alone, but if they seek representation and traditional publishing, they must eventually learn the oft times punishing lessons of business.

Soon I’ll be working with a developmental content editor on my completed World War II historical fiction manuscript. I’m excited to be taking this major step forward. It’s been a long journey, and honestly, I’ve loved the myriad lessons and experiences along the way, even the hard ones.

“If a story is in you, it has to come out.”
—William Faulkner

American Writers Museum, Chicago, Illinois

Thank you for visiting! Wishing you a wonderful day, doing exactly what you need and want to do.

With Love Always, Lori

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Filed under Authors, Fiction, Gratitude, HIstorical Fiction, Identity, Literary Agents, Publishing, Reading, Research, Uncategorized, Work, World War II, Writing Advice

I Am a Writer

Something I don’t write about much is my writing background. And of course there’s a reason for that. I have spent a significant amount of time, effort, and money over a period of many years on writing, and though I don’t consider any of that effort to be wasted, I do think sometimes, sometimes when the shadows fall a little too dark, a little too thick, that I should have done more with it, this writing thing, by now. That it should have gone somewhere. Perhaps I’m even a bit embarrassed to admit that with a BA in English and an MFA in creative writing, and years of study and teaching under my belt, I still haven’t published a novel.

Have I written a novel? Oh, yes. I wrote my first novel three decades ago. I was teaching English and became active in the National Writing Project, a fantastic program for teachers that encourages us to become writers, ourselves. I wrote a contemporary novel during that time but never attempted to have it published. It was my learning novel, the one that I would never throw away, but also, the one that wouldn’t be good enough to publish. Don’t ask me exactly how I came to this conclusion. I think I read an awful lot of books and articles about writing, and this was my take on first novels. They were like the first pancake, or the first kiss. You just had to do it and get it out of the way. The payoff would be better pancakes and better kisses later. Fluffier, more evenly browned, delicious. Or maybe my own writing just embarrassed me so much that I couldn’t even think of approaching anyone with it. So, I printed it out and boxed it away.

The itch to learn more and to focus more on writing took me to Goddard College next. I continued teaching and worked on my master’s from 2007-2009. During this exciting period, I wrote constantly, including many formal papers for my instructors and my thesis, which was a young adult historical fiction novel about a Catholic Polish teen and his Jewish neighbors during World War II. This one, I thought, I would try to get published. I just didn’t hurry it.

I attended Goddard West in Port Townsend, WA. I have never been to the original campus in Vermont, which has sadly, closed, but I still hope to visit there someday.

After the MFA, I focused on researching agents and publishers and writing queries. Admittedly, I didn’t try very hard. It was excruciating for me to put myself out there—my writing out there—which to me, amounted to putting my inexperience and inadequacy on full display, a neon sign of not-good-enough, flashy and annoying, just begging someone far more hard-working and talented than myself to squash it.

Time went by and I wrote with friends for fun, and to learn more. Shout out to you, Alicia, Lynn, Mike, Maria Elena, and of course all of my amazing students! I thought maybe I needed to put more time between me and my second novel. I started blogging. I was still teaching.

But then I found myself seriously ill with a rare form of cancer, and the world stopped spinning. I lost track of days, weeks. My brother was also ill and had come to live with us. My surgeries were successful. But I felt unwell. Months of chemo took a toll. And my brother. My beautiful brother, my only sibling, died.

I read that the average life span for appendiceal cancer was seven years, and yes, I also read that was not to be taken to mean that I would die in seven years—there were so many factors involved, and it was just an average. Many people died sooner. Others lived for twenty years or more. Blah, blah, blah, I thought. I have seven years.

With my husband’s blessing, I cashed in a small savings account and took a short trip to London and Paris (my one and only trip outside the U.S.), and it was wonderful, and I knew I wanted to write. My writing vision could not have been more clear. I came home and worked on a new novel.

East Finchley, Outside London.

A Beautiful Place to Write.

I taught for a couple more years. Other than my family, my teaching career was what I was most proud of and committed to. Still, I felt my energy shifting. I expected an early death. I imagined myself too weak to be the kind of teacher I had always aspired to be, which was the Robin Williams as John Keating kind of teacher from Dead Poet’s Society. That was who I should be, but instead, I felt—I believed, I was tired, in failing health, more Virginia Poe dying slowly of tuberculous while Edgar became ever more prolific than John Keating taking on the entire world of poetry and elevating young minds and spirits. I saw myself settling into an early writing retirement where my husband would continue to work, but I would just be . . . . the quiet writer in residence.

Robin William as the victorious Mr. Keating

The sadly beautiful Mrs. E. A. Poe

And so, I finished my third book. It is not published.

I found I missed gainful employment and have steadily worked part-time since my early retirement, teaching and library work mostly.  I am fighting my hermit-like tendencies, and I’m enjoying getting more involved in actively reading and responding to my fellow writers online, as well as the few writers I know personally. This is a joy and a responsibility. I believe we must support each other, and I am so in awe of all of you! I just finished reading a fellow Goddard graduate’s Sci-Fi thriller, The Regolith Temple, yesterday, and was blown away! Roxana Arama, I will be writing a review for your excellent book very soon!

I am still waiting to hear back from an agent who requested my full manuscript many months ago. I’m considering next steps.

I’m not dead. I stopped going in for cancer scans several years ago. I can’t afford them, and anyway, I’m quite spectacularly healthy. Weirdly! So maybe the seven years thing was really just about itches and actually had nothing to do with my diagnosis. Whatever the reason, I’m grateful, and I’m still in love with this beautiful planet. And pancakes and kisses.

I’m walking every day and working on another novel.

Trying to say it a little more often.

The simple sentence I’ve never felt worthy of.

I am a writer.

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Filed under Cancer, Cancer Journey, HIstorical Fiction, Identity, Literary Agents, London, Memories, Personal History, poetry, Relationship, Research, Teacher, Uncategorized, Voice, Writing, Writing Advice

Unearthing the Character Behind A Fine Suddenness

Three Months ago, at the beginning of summer, I received an agent request for the full manuscript of my historical fiction novel, A Fine Suddenness. I am told that 3 months is about the time I might begin to expect to hear back from the agent, and so today I am checking my email even more regularly than usual, and I am thinking about the origins of the manuscript.

My Journal

It began in May of 2011 with the glimmer of a character suggested by a signature of ownership in an old red leather-bound book a friend gifted me: The Conqueror, by Gertrude Atherton. My friend Lynn is a librarian, a teacher of history, a seller of used books, and a maker of reclaimed book journals. You can check out her business at brownbagbooks.biz. This book was one of her rescued book journals. The cover was intact, rebound into a smallish wire bound blank journal.

The original inscription inside was simple: Mary Miller 1903. Who was this lady, I wondered? She must have loved her books, I thought, to have signed her name and the year of acquisition on the inside cover, a habit I also have. I usually add the place I acquired the book also, but Mary Miller did not do so. A quick search told me that Gertrude Atherton was a San Francisco author, and The Conqueror had been published in 1902, was about Alexander Hamilton, and was widely acclaimed.

I immediately began writing in Mary’s book-turned-journal, taking on an imagined persona of the unknown lady. It began: “May 8, 1903. Lake Arrowhead, California. I am proposing to tell you a story which I am quite sure you will doubt . . .” Rather quickly it took on the overtones of a ghost story, and I named Mary’s father, described his field of study and stated that her mother had died of influenza when she was a child. All of that came to me very spontaneously. Also, Mary’s husband was dead, but she had a vision of him. So, A Fine Suddenness began as a ghost story. And in some ways perhaps that is what it still is, but not in the way it began.

Eventually, the real Mary Miller, whoever that lady was, disappeared from my mind and became instead a woman who lived in Lake Arrowhead, California during the 1940s—70 years before I read her inscription rather than the actual 108 years. Once I placed Mary in a new time and most certainly a different place than the real Mary had lived, I began to conjure what life was like during World War II on the mountain we shared, not in time, but in place.

All of that pondering gradually grew into a scene of Mary in her yard among her roses, the trees towering in the background. And so, she became real to me, and I wrote her story. She is completely fictional, other than the sense I got from seeing her name, and from the beautiful red and gold embossed cover of a book.

She, I hope, would make her namesake, the real Mary Miller, proud.

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Filed under HIstorical Fiction, Lake Arrowhead, Literary Agents, Publishing, Uncategorized, World War II, Writing

Gone to Soldiers

a short review

pexels photo

I finished several books recently, one of which I had been reading for months in between other, less hefty titles. The hefty one is an older release (c1987), WWII historical fiction, Marge Piercy’s Gone to Soldiers. A wonderful book—rich in authentic detail—an amazing amount of research had to have gone into this devastating and sweeping novel. Having written two (as yet unpublished) WWII era novels, myself, I am beyond impressed with everything Piercy brings to life here.

Gone to Soldiers tells the stories of ten men and women who served in America, Europe, and the Pacific in vastly different ways: a war correspondent, an intelligence office for the OSS, a Japanese code breaker, a Women’s Airforce Service Pilot, an artist who fights with the Resistance in France, a woman who leads Jewish children to safety over the Pyrenees, a Marine struggling to stay alive in the Pacific, a Jewish teen from Paris sent to America before France fell, and her American cousin.

I have read a lot of WWII and Holocaust related fiction and nonfiction over the years, but somehow I missed this one. My brilliant friend, Sandy, sent me a copy, and I am so glad she did. It is not an easy book to read. Many of the scenes are incredibly vivid and tragic. Some of them were known to me from other sources, but a couple of them depicted battles or situations of which I was not aware.

I was particularly affected by the scenes in the Pacific, I believe, because my father served in the Pacific theatre, but talked about it so little that I never had a clear picture of what he went through. This book made me more aware of the horror he faced and makes me want to know more about his service.

I recommend Gone to Soldiers for its unblinking portrayal of the realities of war, ignorance, prejudice, love, and loss. It is an important book for men and women who seek to understand and remember our shared history—to mourn and honor those lost, to refuse to fall back into dangerous patterns of racism, prejudice, and misogyny, and to continue to work toward the vision of a safe, equitable, and free land for everyone.

“TODAY THE GUNS ARE SILENT. A GREAT TRAGEDY
HAS ENDED. A GREAT VICTORY HAS BEEN WON. THE SKIES
NO LONGER RAIN DEATH – THE SEAS BEAR ONLY COMMERCE –
MEN EVERYWHERE WALK UPRIGHT IN THE SUNLIGHT.
THE ENTIRE WORLD IS QUIETLY AT PEACE.”

GENERAL DOUGLAS MACARTHUR


Radio address to the American people from the USS Missouri, following the Japanese surrender ceremony, September 2, 1945  (FROM WWW.NPS.GOV)

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Filed under Books, HIstorical Fiction, Reading, World War II

What I’m Reading

Tatiana De Rosnay’s Historical Fiction Novel, Sarah’s Key, A Review

  

Sarah’s Key tells the intertwined stories of two fictional inhabitants of Paris; Sarah, a ten-year-old girl caught in the terror of Nazi-occupied France, an innocent Jewish child desperate to protect her little brother, and Julia, the journalist destined to discover Sarah’s story sixty years later. Though Sarah and Julia are fictional characters, the situations of the story are sadly all too real.

Before reading Sarah’s Key, I hadn’t known of the Velodrome d’Hiver roundup, which was ordered by Nazis, and carried out by French police officers, but as with all events relating to this terrible time of human history, the story is by equal measure unimaginably catastrophic and yet characteristically illustrative of the horrors of the systematic application of the NAZI party’s stated objective to eradicate Jews in what they termed “A Final Solution to the Jewish Question” at the Wannsee Conference on January 20, 1942.

The Velodrome d’Hiver roundup in Paris, France is one example of the implementation of that horrific policy.

Here is a brief summary of the real events:

“Beginning in the early hours of July 16 [1942], French police rounded up thousands of men, women, and children throughout Paris. By the end of the day, the police had taken 2,573 men, 5,165 women, and 3,625 children from their homes. The roundup continued the following day, but with a much smaller number of arrests.

     Approximately 6,000 of those rounded up were immediately transported to Drancy, in the northern suburbs of Paris. Drancy was at that point a transit camp for Jews being deported from France. The rest of the arrestees were detained at the Vélodrome d’Hiver (Winter Cycling Track), an indoor sporting arena in Paris’s fifteenth arrondissement.      

     After five days, Jews incarcerated at the Vél d’Hiv were transferred to other transit camps outside Paris. At Drancy, Pithiviers, and Beaune-la-Rolande, French police guarded these men, women, and children until transport to concentration camps and killing centers in the east. At the end of July, the remaining adults were separated from their children and deported to Auschwitz.

     Over 3,000 children remained interned without their parents until they were deported, among adult strangers, to Auschwitz as well.

     German authorities continued the deportations of Jews from French soil until August 1944.

In all, some 77,000 Jews living on French territory perished in concentration camps  and killing centers—the overwhelming majority of them at Auschwitz.”

From: United States Holocaust Memorial Museum, “The Velodrome D’Hiver (Vel d’ Hiv) Roundup”. Holocaust Encyclopedia. https://encyclopedia.ushmm.org/content/en/article/the-velodrome-dhiver-vel-dhiv-roundup#july-2. Accessed on May 20, 2023.

     De Rosnay’s novel expertly weaves the stories of her two heroines, as one suffers through the event and the other learns of it in a surprisingly intimate way many years later. This book reminds me of the importance of historical scholarship—true scholarship that doesn’t shy away from the painful realities of the past—and of the absolute necessity of bearing witness to the suffering of the innocent—as a way to honor them, of course, and also as a way to teach each new generation the lessons that seem so easy to forget, so fragile, and always under attack. We need to hear the stories. We cannot be allowed to forget. 

     Sarah’s Key is one of those books that takes us on an unforgettable journey, touches our hearts and souls, and joins us to the hearts and souls of others who were forced from this world before their natural times, and in terrible ways. It is both deeply dark and sweetly hopeful. A strange truth about literature, and part of its magic, is that you can enjoy it even while it is hurting you. Sarah’s Key is worth it.

Paris Photos by Lori Pohlman

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Looking for Comps

Photo by Suzy Hazelwood on Pexels.com

     Hello, Readers! I’m putting together my summer reading list, and getting my historical fiction manuscript ready for submission. One part of this process is to read recent books (published within the last few years) that are in some way comparable to mine, so that I can better describe my own manuscript to potential agents, publishers, and booksellers.

     Have you read any recently published fiction set during the 1930s or 1940s? Have you read a novel about a war widow, or a strong woman struggling and coming to grips with some other loss? If so, I’d love to hear about it. My manuscript is set in Lake Arrowhead, California, and the place is integral to the plot, so I’m also interested in any fiction that transports the reader to a specific city, town, or region.

     If any titles come to mind, I’d greatly appreciate your sharing them here. I welcome any and all suggestions. Many thanks!

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“Reading with Ghosts” Some thoughts on a post by Jenny Lawson, The Bloggess: “Sometimes tattered and worn = loved” August 9, 2016

FallWinter2015Mostly 200

Like Jenny, I love used books, books that have a history of relationship with other readers that I can see and hold in my hands. The cover doesn’t need to be in great shape. There should be a name written in long hand somewhere within the first pages. Notes written in the margins. Words, phrases, paragraphs underlined. Exclamation marks, hearts, question marks in the margins. Old shopping lists stuck between the pages. Dedications to lovers, children, grandchildren, friends on the title page. This book reminds me of how very much I love being your mom.

Despite my librarian grandmother, my own library training and teacher training, and my years working in libraries and public schools, I’ve always been much more of a book sharer than a book protector. This doesn’t mean I condone random doodling, especially not of the tasteless variety, or nasty vulgarisms of any sort in any book (and I’ve seen plenty of those, believe me). And I am not advocating writing in any book that you do not own—please, respect all library books, and school texts! But I do appreciate a pithy comment that pertains to the content. I love knowing that I am sharing the experience of reading a particular piece with someone who found something striking enough to comment on right then and there, in the moment.Paris, 2013 154

Jenny Lawson says, “…reading those found books is like reading with ghosts, ones who eagerly point out their favorite passages or share their thoughts or questions in the margins.”

Books that I can remember writing in that are sitting around my house right now include:

Jane Eyre, A Prayer for Owen Meany, The Catcher in the Rye (probably my first!), The Diary of Anne Frank, Man’s Search for Meaning, Teacher Man, Rebecca, Atonement, Prodigal Summer, The Glass Castle, Learning to Walk in the Dark, and lots of poems—“The Raven” comes to mind along with some of Shakespeare’s sonnets. And memorably, the teacher edition of a literature anthology I used in my classroom for many years (not sure if this qualifies as defacing a public school text, but it did raise a few eyebrows during department meetings).

Funny story there. I was told, “That’s not your book! You can’t write in that!” back in 1998 by a wonderful teacher I respected and admired. Even so, I continued to write in the book. I planned on outlasting the book adoption cycle, and I wanted to remember what worked, what went flat, what insights, funny or touching, or what “light bulb” moments were expressed by my kids. When I retired in 2014 a young English teacher retrieved the same teacher anthology from the school library that I had written notes in for years. There hadn’t been a new book adoption in all of those years because the budget was just too tight for the district to purchase a new anthology. This new teacher wrote me a letter. “What a treasure!” she said. “Thank you for writing all of that down.”

A reader after my own heart. A teacher after my own heart. I hope she never forgets to write in the margins.Paris, 2013 108

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Fireside Chats in Springtime

 

Early Spring 2015 048

Silly me. I had this idea to write a WWII-era literary fiction novel a while back. Quite a while back.

I spent a lot of time researching in between writing scenes. I felt I had a decent grasp on the time period; my dad was a WWII marine—I grew up waking to The Marine Corps Hymn–and though I majored in English, not history, I spent a good deal of time learning about and teaching the Holocaust to my eighth-grade classes when I taught The Diary of Anne Frank. I even wrote a YA novel about a Polish boy falling in love in war-torn Poland for my Master’s thesis in creative writing.

I’d just need to check a few dates here and there, maybe read a few more books and immerse myself in the movies and music of the 1940s, and presto! I’d be good.

Not so true.

What is true is that old saying about “the more you learn, the more you realize how much you don’t know.” Today’s epiphany: Go Deeper. I stumbled into going deeper today almost by accident. I was looking up a few Roosevelt quotes for a scene in my manuscript where my protagonist listens to the president on the radio. Just a few lines, you know, to add realism and texture to the scene.

                                                                                                Paris to home 2013 033   GO DEEPER

And I find myself, hours later, too torn up to write the scene. I’ll write it tomorrow, or maybe the next day. You see, I found recordings of Franklin D. Roosevelt speaking to the American public. I listened to them. Then I found recordings of the broadcasts made by the journalists who had followed him throughout his long presidency talking about him on the day of his death.

These recordings are priceless. You will need Kleenex. And maybe a dog. Or a loved one nearby. Luckily, my protagonist has a hankie, a dog, and a brother.

Fireside Chat           (Not my photo)                 Silly me? Yes. But also grateful me.

If you haven’t done so, and you’re interested, go to http://www.fdrlibrary.marist.edu/archives/collections/utterancesfdr.html to get started.

Three dates you might be interested in:

January 11, 1944: Radio Address to the Nation- State of the Union message to Congress (30 min.)

November 2, 1944: Campaign radio speech from the White House—“The World is Rising” (15 min.)

December 24, 1944: Christmas Eve Address (5 mins.) Make sure to stay tuned for The National Anthem that immediately follows.

Rachel “Lori” Pohlman, Copyright2016

 

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Filed under Fireside Chats, HIstorical Fiction, Literary Fiction, President Franklin D. Roosevelt, Radio, Research, Uncategorized, World War II, Writing