Three Months ago, at the beginning of summer, I received an agent request for the full manuscript of my historical fiction novel, A Fine Suddenness. I am told that 3 months is about the time I might begin to expect to hear back from the agent, and so today I am checking my email even more regularly than usual, and I am thinking about the origins of the manuscript.

My Journal
It began in May of 2011 with the glimmer of a character suggested by a signature of ownership in an old red leather-bound book a friend gifted me: The Conqueror, by Gertrude Atherton. My friend Lynn is a librarian, a teacher of history, a seller of used books, and a maker of reclaimed book journals. You can check out her business at brownbagbooks.biz. This book was one of her rescued book journals. The cover was intact, rebound into a smallish wire bound blank journal.
The original inscription inside was simple: Mary Miller 1903. Who was this lady, I wondered? She must have loved her books, I thought, to have signed her name and the year of acquisition on the inside cover, a habit I also have. I usually add the place I acquired the book also, but Mary Miller did not do so. A quick search told me that Gertrude Atherton was a San Francisco author, and The Conqueror had been published in 1902, was about Alexander Hamilton, and was widely acclaimed.
I immediately began writing in Mary’s book-turned-journal, taking on an imagined persona of the unknown lady. It began: “May 8, 1903. Lake Arrowhead, California. I am proposing to tell you a story which I am quite sure you will doubt . . .” Rather quickly it took on the overtones of a ghost story, and I named Mary’s father, described his field of study and stated that her mother had died of influenza when she was a child. All of that came to me very spontaneously. Also, Mary’s husband was dead, but she had a vision of him. So, A Fine Suddenness began as a ghost story. And in some ways perhaps that is what it still is, but not in the way it began.
Eventually, the real Mary Miller, whoever that lady was, disappeared from my mind and became instead a woman who lived in Lake Arrowhead, California during the 1940s—70 years before I read her inscription rather than the actual 108 years. Once I placed Mary in a new time and most certainly a different place than the real Mary had lived, I began to conjure what life was like during World War II on the mountain we shared, not in time, but in place.
All of that pondering gradually grew into a scene of Mary in her yard among her roses, the trees towering in the background. And so, she became real to me, and I wrote her story. She is completely fictional, other than the sense I got from seeing her name, and from the beautiful red and gold embossed cover of a book.
She, I hope, would make her namesake, the real Mary Miller, proud.

